{"version":"1.0","provider_name":"Perspectiva Literaria | Desde el punto de vista del arte","provider_url":"https:\/\/perspectivaliteraria.com","title":"Elogio del error - Perspectiva Literaria | Desde el punto de vista del arte","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"Gpc5Hvk5jF\"><a href=\"https:\/\/perspectivaliteraria.com\/index.php\/2026\/10\/02\/elogio-del-error\/\">Elogio del error<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/perspectivaliteraria.com\/index.php\/2026\/10\/02\/elogio-del-error\/embed\/#?secret=Gpc5Hvk5jF\" width=\"600\" height=\"338\" title=\"\u00abElogio del error\u00bb \u2014 Perspectiva Literaria | Desde el punto de vista del arte\" data-secret=\"Gpc5Hvk5jF\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/perspectivaliteraria.com\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/imagenes.elpais.com\/resizer\/v2\/SMC7B73TLJGE3DDRKGPJQXCQ5U.jpg?auth=7d45aa61c769f41266cc054711f4315a28a4ec246a0da6d68314d6a7ed2d991b&amp;width=414","thumbnail_width":600,"thumbnail_height":433,"description":"Dice Daniel Samoilovich en un texto en el que se ocupa de su po\u00e9tica que escribe para escuchar \u00e9l mismo \u201cc\u00f3mo suena un asunto\u201d. No como se lo cuentan los dem\u00e1s, ni como se lo encuentra en la vida o entre los libros y los peri\u00f3dicos, sino c\u00f3mo le suena precisamente a \u00e9l al escribirlo, [&hellip;]"}